Monday, March 1, 2010
Thursday, January 29, 2009
Ameriville (From: ATL)
(Image by: Mildred Ruiz (UNIVERSES)Ameriville
(For ATL Newsletter/Press - by: Sarah Lunnie)
How high is the water momma?
4 feet high and rising
Three years after Hurricane Katrina hit the Gulf coast, our memory betrays us. The storm drowned thousands of city residents in their bedrooms and attics, forced more than one million to flee for safety, and put 80% of New Orleans under water. But its images have receded from the covers of our morning newspapers. News of levee breaches and rooftop rescues no longer confronts us when we turn on the television. The barrage of disturbing revelations—shoddy engineering, bad science, decades of irresponsible policy converging in a lethal, man-made maelstrom—has subsided. The country has moved on. But for the displaced New Orleans residents still living in FEMA trailers or scattered across America, the storm continues.
Today the per capita murder rate in New Orleans is the highest in the nation. The Road Home Program, designed to compensate Louisiana homeowners affected by Katrina and Rita, has failed to address the state’s severe housing shortage. Many fear that rebuilding efforts will marginalize entire populations: gentrification neatly disguised as renewal. And although the Army Corps of Engineers is rebuilding the levees, most experts agree that current plans are frighteningly inadequate. In Katrina’s wake lies an interminable sea of questions, about what and whom we value and how we care for our home and each other. In an era of fast news and short attention spans, they are questions we would do well to remember.
How high is the water poppa?
8 feet high and rising
UNIVERSES (Gamal Abdel Chasten, Mildred Ruiz-Sapp, William Ruiz aka Ninja and Steven Sapp) didn’t set out to write a play about Hurricane Katrina. The ensemble’s earlier work, including Slanguage (which played at Actors in 2004) was more local in its scope, exploring the rhythms, voices and landscapes of its members’ New York neighborhoods, with a unique fusion of poetry, theatre, jazz, hip-hop, down-home blues and Spanish boleros. With Ameriville, they pan out to examine not only New Orleans, but the country at large. According to co-founder, writer and performer Steven Sapp, the project has been in the works since before the storm hit.
“After Slanguage, we started to tour a lot,” Sapp explains. “We went all around the country, and the more we saw, the bigger our new pieces became. Because what we were looking at was bigger. In the beginning, we weren’t even trying to write a new piece. Our initial thought was to look at the state that the country was in, this fear about everything. We were interested in exploring the history of fear in America. And then Katrina happened.”
The group wrote some small pieces responding to the disaster, and performed them at venues in New York City. The audience response was overwhelming. After a show at the Apollo, the group was approached by a couple that had just relocated from New Orleans. The couple told UNIVERSES they’d captured the experience of being caught in the storm in a way no one else had, and asked if any of the writers—Bronx and L.E.S. natives—were from New Orleans. It was then, Sapp says, they began to wonder if they’d found their next big project.
“That’s when Mildred suggested we tackle Katrina. And we thought, can we do that? Should we do that? We knew it had to be about more than just the storm. We knew if we were going to do this, we had to do it our way.”
How high is the water momma?
12 feet high and rising
On one level, Ameriville serves as a reminder to the rest of the nation. “We’re a selective country in terms of what we remember,” says Sapp. “Since Katrina, we’ve had forest fires in California and floods in Iowa. It’s like flipping the channel: we move on. But if you go down to New Orleans now, three years later, there are sections that look like it just happened. It’s chilling.” The play also seeks to expose deeply ingrained social inequities that existed before the levees toppled, but which came to national attention only in the storm’s wake.
The writers feel a deep connection with the people of New Orleans, built on the belief that though circumstances vary, people are the same everywhere. The title suggests that New Orleans is America in microcosm, and, by extension, that Katrina happened to all of us. Ameriville also rejects regionalism, making an argument for a more united, inclusive attitude toward citizenship. “We should be looking at each other as though this country were a village,” says Sapp. “We’re one big, giant America here. Wherever I go in this country, I’m an American when I’m there, and I should feel like one.”
UNIVERSES recently travelled to New Orleans to meet with survivors. They spoke with residents, artists, and community figureheads, and got their blessing to move forward with the project. The conversations left UNIVERSES with a feeling of great responsibility toward these people whose stories and experience are Ameriville’s core, and Katrina’s indelible legacy. Three years after landfall, as debris clears and newsprint fades, the survivors labor to repair what’s been broken; to excavate pasts from the wreckage, and rebuild their lives. Ameriville is both a monument to their struggle and a call to action for the nation: let us not forget what happened here.
How high is the water momma?
20 feet high and rising
How high is the water poppa?
24 feet high and rising
—Sarah Lunnie
UNIVERSES at St. Cloud Minnesota
Mils
Saturday, January 17, 2009
Universes -'09
Wednesday, December 17, 2008
UNIVERSES' 2008 - Year in review
* Rhythm Road Tour w/ Jazz @ Lincoln Center & U.S. State Dept.
Universes @ National Geographic (D.C. – U.S.A.)
Universes @ Jazz at Lincoln Center’s
“Dizzy’s Club Coca-Cola” (NYC – U.S.A.)
Universes in Casablanca, Morocco
Universes in Marrakesh, Morocco
Universes in Tunis, Tunisia
Universes in Istanbul, Turkey
Universes in Ankara, Turkey
Universes in Bucharest, Romania
Universes in Ploiesti, Romania
Universes in Amsterdam, Netherlands
Universes in London, U.K.
Universes in Birmingham, U.K.
(Return from Intl. Tour)
Universes in Madison, WI
Mildred & Steve open “Denver Project” (Denver, CO)
Ameriville Reading @ New York Theatre Workshop (NYC)
Universes @ The Hip-Hop Theater Festival Benefit (NYC)
Universes’ Master Classes @ Abrons Art Center (NYC)
TCG Awards Peter Zeisler Memorial Award to Steven Sapp and Mildred Ruiz
Universes @ opening of Revolutionary Books (NYC)
Ameriville Lab @ New World Theater
Universes @ Union Square –Theater Mania–
to benefit the Hip-Hop Theater Festival
Universes @ The Hip-Hop Theater Festival (DC)
Universes @ Brave New Voices (DC)
Universes @ Trinity College (CONN)
Universes @ Ntl. Black Arts Festival (Atlanta, GA)
Universes @ Curious Theater (Denver, CO)
Universes @ 1st Works (Providence, RI)
Universes & Dana Leone (NYC)
Universes (Indiana, PA)
Universes Awarded NPN Creation Fund Grant for Ameriville
w/ New World Theater (MA) & Helena Presents (MT)
ELECTION DAY (Obama=President Elect)
Universes @ Harlem Stage (NYC)
Universes in New Orleans
Universes @ Flynn Center & St. Michaels College (VT)
_________________________
Can't complain :)
More to come shortly.
Thursday, May 1, 2008
Our own Rhythm Road, beyond the Rhythm Road

Friday, February 22, 2008
Escape from Romania or Welcome to Amsterdam

Finally, some time to think, a minute to process the whirlwind that the past few days have been. We are still in Romania on the road to Constanta in a white mini van, and I am ready for this 3-hour drive. Outside it is gray and foggy, snow flurries are just beginning and my mind races with Images of what we’ve seen and where we’ve been trying to make sense of it all, trying to put it in chronological order, as our beautiful memories of deliciously colorful Morocco, the blue doors of Tunisia and Istanbul’s luminous Bosporus sit at a distance and are barely visible though Romania’s thick fog. Yesterday, we visited a small town, there, the youth and children smiled and laughed in spite of the situation of their finances. There the children created beautiful art, amazing sculptures and painting, colorful painting uplifting the air around them while the fog lay low and heavy on the ground outside the door. After our Lecture Demonstration and workshop, the youth performed a short program they had prepared for us. It included beautiful Romanian folk songs and gorgeous choral Christian and even Jewish pieces angelically sung. The gift was greatly appreciated; as it was the first performance gift anyone has ever given us.
So back to the game room, we drink our delicious boiled wine, infused with the blood of Romania, laugh at ourselves for seeing the source of Brahm Stoker’s nightmares in her eyes and proceeded to enjoy the air out here in spite of her blood thirsty smell, (Puns intended throughout). In spite of my discomfort, I must give her credit, 'cause I can never fully understand what it means to have grown up in a communist country. I hope she can one day love her country again.
We then went to the performance space, which our Romanian friend Lucian had painstakingly decorated, before our arrival, bringing soft goods and flats from his own theater to dress up the occasion. Our sound guy was great, the promotion was abundant, the house was packed, the Mayor was present the performance was tight and the youth filled our hearts once more. As if that were not enough, our friend Mister Baker took us to “club steel” where were hosted for dinner and dance. The fish was great and so was the ambiance. Gamal was the gust DJ for the night and celebrated a successful day of great music and new friends. The perfect way to end a day and on went on a 40 minute drive back to Bucharest.
DAY TWO
We arrived too early for the workshop, and although the school seemed totally unprepared to greet us, and it seemed they had no even arranged for student to join us, they pulled together quickly and the workshop was great. “Rux” kept telling us that they would not participate that the students were not exposed to interactive events and so we got ready for that. But to our surprise, this group was more present and prepared for interaction than some of the groups we’ve had in the states. The snag, stomped, clapped and embraced the Universes aesthetic with lightning speed. They also shared a program with us as their piano teacher played and they sang Ray Charles’ “Georgia”, in Bucharest ☺. The kids were great and our hearts were filled again.
Later on we went to club green hours for a mic check, but the room was full of customers and we had to return to our rooms and come back later. When we came back for mic check, we immediately understood the challenge before us. First the room was covered in steel and metal, it was shaped like a tunnel and no acoustically suitable for an acapella group. But hey, on we went. The house drizzled in and we gave our all in spite of the fact that we were performing in a tin can with a room full of lovers on Valentines day who only wanted to look into each others eyes and talk to each other while we played the background, but sometimes that’s how it is, and on to the next. Which brings me back to this moment, we are closer to Constanta now, and I am optimistic that we will enjoy some part of it as well. I’m sure the youth will carry the weight of the town as they have done in other towns thus far and the Black Sea will be kind to us. At least I hope. Will let you know from there. We miss you New York.
Mils
Thursday, February 14, 2008
Romania
Tuesday, February 12, 2008
ahh Turkey
Friday, February 8, 2008
back and in full effect
steve/sapp/universes/2008
Merhaba, Istanbul greets us


Wednesday, February 6, 2008
goodbye to Tunisia
ahhh yes...time to say goodbye to Tunisia...beautiful country...but we've got to go....to cancelled programs...and late minute replacements....to more laughing..and good times. To visits to Lingua Land...a school in Tunisia...a building that has leans like the Leaning Tower of Pisa...kind of a trippy experience...and its larger than life leader...who office seemed like a presidental office with curtains and everything.....I expected to hear trumpets when we walked in.....To one last meal...listening to a band play jazz....pretty decent...even if most of the songs sounded like Route 66...ahhh Tunisia..we did not know you long...and I don't think we got to know you well....maybe we'll find each other again...and we can catch up on the things we didn't catch...and finally say....hello
steve/sapp/universes/2008
Monday, February 4, 2008
Students/Haggling/Football
Since the e-mail in this hotel is driving everybody crazy...and you don't know how long you will stay connected...I will try to get in as many quick shots as possible...lets just call it Universes on Tour....the Cliff Notes version...without that ugly yellow and black cover.
Performance/at school/ for 500 kids/ ages 5-16/had a ball/ kids can make you feel special/ all many nationalities were there/ from Japan all the way to Atlanta/ Don't remember the name of the school/ our schedule keeps getting flipped and reflipped/ Took some great pictures of the kids/ but e-mail is too damn slow/ after show/ went down to the medina/ and had a ball haggling/ there is an art to it/ and I think we have begun to get it/ Or at least we think we do/ probably still getting ripped off/ but it was fun/ after that/ we returned to deal with more hotel foolishness/ they had us checked out early/ e-mail was still spotty/ coffee pots don't work/ door handles coming off/ light bulbs not working/ but ahh yes/ at least we're in Tunisia/ later at night we ventured out on our own/ a diner near the medina/ good CHEAP food/ and the real football on T.V./ Tunisia was playing Cameroon/ great energy/ real people/ and when Tunisia scored/ you felt like you were in the Stadium/ loud cheering/ we cheered too/ like Giant fans were doing/I have to say the programming has been spotty/but damn it/ we're in Tunisia baby.
steve/sapp/universes/2008
Sunday, February 3, 2008
A Day in Tunisia
steve/sapp/universes/2008
Saturday, February 2, 2008
The show in Tunisia
And now the sickness begins
Friday, February 1, 2008
The Last day in Marrakesh
See you later..I know we'll be back
Oh my god....
its 5 oclock in the morning
I think I'm starting to feel sick
and where will we be going, now that kenya has been cancelled ?
steve/sapp/universes/2008
Thursday, January 31, 2008
Kenya


steve/sapp/universes/2008